A solitary figure on a rain-slicked street at night

NO,

I'M NOT

A TALE OF FOCACCIA AND TRAUMA

COMING 2027

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002 — SEQUENCES

THE FILM STRIP

Robin serving focaccia at a potluck party
DIRECTOR'S NOTE — FRAME 01

Robin serves a large group of grateful guests, one at a time. The sound of their compliments stacks eerily until they lose meaning. Her smile holds two frames too long before we intercut with—

Young Robin offering her hand to a crying boy
DIRECTOR'S NOTE — FRAME 02

An idyllic summertime image of 90s suburbia, where a young Robin gives her popsicle magnanimously to a neighborhood boy who has been bullied… This is who she has always been.

Jeremy lounging in the backyard scrolling TikTok
DIRECTOR'S NOTE — FRAME 03

With the house party in full swing, Jeremy is characteristically unengaged—lounging in the backyard, smoking and scrolling social media. TikTok audio bleeds under dialogue with his girlfriend when she comes out to escape for a moment. Seeing Robin’s stress, Jeremy insists that she take a break and reluctantly enters the play host instead.

Extreme closeup of Jeremy and Kristen staring into each other's eyes at the party
DIRECTOR'S NOTE — FRAME 04

While chatting about the novel Jeremy has been writing, he and Kristen experience an intimate interaction that neither of them anticipates. Time dilates and the noise fades; gazing into each other’s eyes, they are oblivious to the party for a moment.

Robin in pain in a dark bedroom at night
DIRECTOR'S NOTE — FRAME 05

Robin’s endometriosis has never been this bad before. As the attack happens, we see surreal, dreamlike flashes to a young Robin lying in her mother’s lap, sobbing as she’s being cooed to: “It’s okay… He would never… You’re okay.” The camera doesn’t look away, and neither does Jeremy. He tries to help her to no avail, triggering her even more instead.

Robin and Kristen hiking Runyon Canyon at golden hour
DIRECTOR'S NOTE — FRAME 06

Robin revels in the painful exertion of a hike with Kristen, strapped with ankle weights and ascending at a faster and faster pace. The sequence is oversaturated and clinically sharp, almost commercial. Every time she pushes harder, the sound gets cleaner in her POV.

Robin and Kristen laughing on the bathroom floor
DIRECTOR'S NOTE — FRAME 07

Ears ringing, Kristen insists that they stop for a bit. The jokes and laughter don't last long, before the conversation about Jeremy happens: "He loves me and spoils me… But I hate myself when I'm with him, sometimes."

Jeremy carrying Kristen into the house
DIRECTOR'S NOTE — FRAME 08

Robin ignores the lunch Jeremy's prepared for her, snapping at him with irritation and leaving Kristen and him together. Kristen jumps into his arms joyfully, demanding to be fed, and he carries her across the threshold into the house like it means nothing. It of course means everything.

Robin staring at herself in the bathroom mirror
DIRECTOR'S NOTE — FRAME 09

Robin steps out of the shower and stares at her own reflection, steam still on the glass, as if she were trying to recognize someone. Disdain replaces the muted expression on her face. She goes to bed without bothering to dry herself.

Robin alone, reliving trauma
DIRECTOR'S NOTE — FRAME 10

The body remembers what the mind tries to forget. We do not cut away; we stay with her. Then, well... someone dies.

DRAG OR SCROLL HORIZONTALLY →

SHOT ON RED KOMODO 6K

003 — THE PLAYERS

CAST & CREW

Portrait of EMMACLAIRE BROCK
01 — CAST

EMMACLAIRE BROCK

AS "ROBIN"

Like Nina in "Black Swan," but sweeter and more exuberant, publicly. Intro-extrovert with intrusive thoughts. Grapples with immense pressure she puts on herself, and does her best to love everyone around her. Her stress is so great that it partially manifested, and exacerbates to this day, her severe endometriosis. Selectively amnesic, it turns out.

Portrait of CHRISTOPHER FUNG
02 — CAST

CHRISTOPHER FUNG

AS "JEREMY"

Has a great therapist who assures that he's doing deep, revelatory work - which is worth the weekly session fee to an emotional scrooge who loves to talk and pontificate without communicating much at all. Robin is the world to him, everything that he can imagine would complete him as a person. A dunce, yet his every expression carries the weight of a monologue.

Portrait of HANNA EISENBATH
03 — CAST

HANNA EISENBATH

AS "KRISTEN"

Robin's most joyful friend. Pure and unencumbered, with a zeal for life. Aspirational actress who loves barre, aerial silks, hiking outdoors, escape rooms, house parties—anything that makes her feel alive. And everything seems to. Rubs Jeremy the wrong way until they experience a private moment of resonance. Witnesses and frantically has to deal with the unexpected murder.

Portrait of GABRIELLA BANDO
04 — CAST

GABRIELLA BANDO

AS "YOUNG ROBIN"

Precocious little girl with a nurturing disposition. Anticipates when others need caring for and takes it upon herself to do so. Endearingly cheerful. Loves summertime popsicles.

BEHIND THE CAMERA
DIRECTOR
CHRISTOPHER FUNG
EXECUTIVE PRODUCER
TIM SIKA
Academy of Motion Pictures + Critics Choice
CINEMATOGRAPHY
FRANK KALJIC
ORIGINAL SCORE
ALEX WILKINSON
"Aladdin" + Emmy winner
004 — THE SCREENING ROOM

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